0.0 z 5 hvězdiček
měkká vazba
Jaromír Funke - Between Construction and Emotion
Kniha ( pevná vazba )
- Produkt je vyprodaný.
The first large-scale monograph on this internationally renowned photographer. Jaromír Funke (1896-1945) was a innovator of modern photography, just like Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albert Renger-Patzsch, Aleksander Rodchenko, Paul Strand, and Edward Weston, to name but a few. Like them, Funke set out (in 1922) on the road… Přejít na celý popis
K tomuto produktu zákazníci kupují
-
Revenge, Meghan, Harry and the war between the Windsors
-
Thank You (Falettinme Be Mice Elf Agin)
-
Source Code: My Beginnings
-
Josef Lada. A 20th-century Central European master
-
The Forgers
-
A Death in Malta
-
Promise Me, Dad : The heartbreaking story of Joe Biden´s most difficult year
-
Last Rites
-
Friends, Lovers and the Big Terrible Thing
-
Sir Lewis
-
Rebel Music: Bob Marley & Roots Reggae
-
Something Lost, Something Gained: Reflections on Life, Love and Liberty
-
Beyond the Story: 10-Year Record of BTS
-
Patriot
-
Under A Rock
-
Kafka: Making of an Icon
-
42: The Wildly Improbable Ideas of Douglas Adams
-
Book of Lives
-
Prašina: Křídový panáček. Souborné vydání
-
Heartbeats
-
I'm Glad My Mom Died
-
Stars, Cars and Crystal Meth
-
10 ZA 500,- American Barber in Prague
-
Česká fotografie v datech 1839-2019
The first large-scale monograph on this internationally renowned photographer. Jaromír Funke (1896-1945) was a innovator of modern photography, just like Jaroslav Rössler, Man Ray, László Moholy-Nagy, Albert Renger-Patzsch, Aleksander Rodchenko, Paul Strand, and Edward Weston, to name but a few. Like them, Funke set out (in 1922) on the road towards abstraction, which would eventually lead him to his own particular "ism” - photogenism. Funke also responded to Cubism and created exemplary works of the New Objectivity and Constructivism, but he stood closest to Bauhaus. During the 1920s, he was one of the first to adopt irrational approaches such as Poetism and Surrealism. In the second half of the 1930s, Funke established his "emotional photography” on the basis of Breton's notion of the magic encounter. He was a typical universally educated intellectual of his era. This book focuses primarily on the ideas that shaped and transformed Funke's work, while placing it within the context of European avant-garde photography and culture, of which he was a pioneer. The book was prepared in cooperation with Jaromír Funke's daughter Miloslava Rupešová.
- Nakladatel
- Kant
- datum vydání
- 12.02.2014
- ean
- 9788074371073
- Počet stran
- 240
- jazyk
- angličtina
- Vazba
- pevná vazba
- isbn
- 978-80-7437-107-3
Hodnocení a recenze čtenářů Nápověda
0.0 z 5 0 hodnocení čtenářů
0× 5 hvězdiček 0× 4 hvězdičky 0× 3 hvězdičky 0× 2 hvězdičky 0× 1 hvezdička
Přidejte své hodnocení knihy
Vývoj ceny Nápověda
Získejte přehled o vývoji ceny za posledních 60 dní.
Maloobchodní cena
Minimální prodejní cena:
1 745 Kč
Nápověda
Články, které stojí za pozornost
-
-
-
-
-
-
-
-
-
-
-
-
KnihyDobrovsky.cz
knihydobrovsky
@knihydobrovskycz
@knihydobrovsky
