Teruko Yokoi
Teruko Yokoi - Kuniko Satonobu Spirig Nedostupné

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The work of Japanese-Swiss painter Teruko Yokoi (1924–2020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of… Přejít na celý popis

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The work of Japanese-Swiss painter Teruko Yokoi (1924–2020) is characterised by unflagging creative energy and constant evolution. This book takes an in-depth look at her painting methods and her own vocabulary of abstraction, which was formulated over the course of a long artistic career. Art historian Kuniko Satonobu Spirig, who is also of Japanese origin, analyses and explains cultural and biographical relations in Yokoi’s art, as well as the influences of abstract expressionism on her painting technique.

Raised in the city of Tsushima on the Japanese island of that name, Yokoi moved to Tokyo in 1949, where she attended the private Joshibi University of Art and Design (Joshibijutsu Daigaku). In 1954, she went to the United States, where she completed her education at the San Francisco Art Institute and with painters Hans Hofmann and Julian E. Levi in New York. There she met artists such as Sam Francis—whom she married in 1959— Mark Rothko, and Kenzo Okada. In this environment, she drew new energy and began to develop her own style of abstraction and to invent her own idiom. In 1962, she moved to Switzerland, where she lived and worked tirelessly in the city of Bern until her death.

Text in English and Japanese.

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Nakladatel
Scheidegger und Spiess AG, Verlag
Rozměr
162 x 230 x 9
jazyk
angličtina
Vazba
měkká vazba
Hmotnost
214 g
isbn
978-3-03942-262-3
Počet stran
96
datum vydání
21.03.2025
ean
9783039422623

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